Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Orange, red, and yellow in thick impasto — built up in layers, scraped back, rebuilt. The resulting surface is geological, almost topographic: you can read the history of the painting in the paint itself. White and dark linear elements provide structure without constraining the energy. A landscape imagined from the inside of heat.
Orange, red, and yellow in thick impasto — built up in layers, scraped back, rebuilt. The resulting surface is geological, almost topographic: you can read the history of the painting in the paint itself. White and dark linear elements provide structure without constraining the energy. A landscape imagined from the inside of heat.