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Image 1 of 1
Image 1 of 1
Image 1 of 1
On a ground of gold and brown impasto, a white branching form rises — part tree, part lightning, part nerve ending, part river delta. Red lines move through the composition like electrical current or living veins. The gold surface gives the work an almost sacred quality, as if thought itself were something precious and dangerous simultaneously.
On a ground of gold and brown impasto, a white branching form rises — part tree, part lightning, part nerve ending, part river delta. Red lines move through the composition like electrical current or living veins. The gold surface gives the work an almost sacred quality, as if thought itself were something precious and dangerous simultaneously.